The Poetics Aristotle The work "Poetics" was created by the ancient Greek scientist-encyclopaedist, the founder of classical logic, Aristotle (384-322 BC). Literary study of the author is one of the first works in history, which summarizes the aesthetic knowledge of the ancient world. Aristotle discovered a number of theoretical and literary categories, explaining the division ...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

It was a black night in the year 1620 when Christenze Krukow made the wax child, when she melted down beeswax and set it in the image of a small human. For days, she carried it tucked beneath her arm, shaping it with the warmth of her flesh, giving it life. She fashioned for it eyes and ears that cannot open, and yet – it watches and listens. It looks on as Christenze is haunte...(展开全部)

一部关于被指控的女巫们令人震撼的幽灵故事——一本施展巫术的书——出自备受赞誉的《明日雇员停摆事件》(The Employees) 和《我的工作》(My Work) 的作者之手。 在十七世纪的丹麦，贵族女子克里斯坦泽·克鲁考，一位未婚女性，被指控施行巫术。她和其他几名女性被谣传为魔鬼附身——魔鬼以一个高大无头男子的形态出现在她们面前，赋予她们黑暗力量：她们能偷走人们的幸福，她们行过不敬神的邪行，她们能引发瘟疫或死亡。她们都面临着被处以火刑的危险。 《蜡孩》由克里斯坦泽·克鲁考制作的蜡像娃娃讲述，是一部令人不安的恐怖故事，探讨了残酷与权力、自然与巫术，背景设定在前现代欧洲的脆弱社群中。 《蜡孩》基于十七世纪发生在日德兰半岛北部的一系列真实巫术审判案件，研究深入，浸透着令人身临其境、充满氛围感的细节。奥尔加·拉文不仅以其华丽的叙事和令人惊异的丰沛想象力，还...(展开全部)

一部关于被指控的女巫们令人震撼的幽灵故事——一本施展巫术的书——出自备受赞誉的《明日雇员停摆事件》(The Employees) 和《我的工作》(My Work) 的作者之手。 在十七世纪的丹麦，贵族女子克里斯坦泽·克鲁考，一位未婚女性，被指控施行巫术。她和其他几名女性被谣传为魔鬼附身——魔鬼以一个高大无头男子的形态出现在她们面前，赋予她们黑暗力量：她们能偷走人们的幸福，她们行过不敬神的邪行，她们能引发瘟疫或死亡。她们都面临着被处以火刑的危险。 《蜡孩》由克里斯坦泽·克鲁考制作的蜡像娃娃讲述，是一部令人不安的恐怖故事，探讨了残酷与权力、自然与巫术，背景设定在前现代欧洲的脆弱社群中。 《蜡孩》基于十七世纪发生在日德兰半岛北部的一系列真实巫术审判案件，研究深入，浸透着令人身临其境、充满氛围感的细节。奥尔加·拉文不仅以其华丽的叙事和令人惊异的丰沛想象力，还...(展开全部)

This substantial anthology comprises the most comprehensive and authoritative collection of readings in analytic philosophy of the twentieth century. It provides a survey and analysis of the key issues, figures and concepts.

Published for the exhibition in Milan between March 4th and June 29th, 2008, this catalog offers a selection of approximately sixty works by Bacon. The collection spans his works from his first paintings in the 1930s, which reveal how early he was attracted to a figure’s deformation and ambiguity, to his late triptychs, in which the artist’s existential torment seems to move to...(展开全部)